Style, iconography, functions. A propos of Padre e figlio by Max Seidel

Roberto Bartalini
The author proposes a prevalently methodological reflection of the work of Max Seidel in the recent book Padre e figlio. Nicola e Giovanni Pisano (Venice, Marsilio, 2012).
published in
PROSPETTIVA- 155/156 (July-October 2014)

Italiano
Pag. 167-172
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Index

Francesco Caglioti Donatello unacknowledged: the 'Saint Lawrence' for the Pieve in Borgo San Lorenzo
read abstract » Pag. 2- 99
Giovanna Bianchi The Fibula of Montieri. Archeological studies at the church of San Niccolò and the discovery of a medieval jewel
read abstract » Pag. 100-113
Ireneu Visa Guerrero An acknowledgement for Giovanni di Pietro da Pisa
read abstract » Pag.114-119
Agostino Allegri Further indications of Bramante's fame
read abstract » Pag. 120-126
Federica Nurchis A new attribution to Nicolò Musso
read abstract » Pag. 127-137
Paola D'Agostino The 'Virtues' of Cosimo Fanzago: three small bronzes rediscovered
read abstract » Pag. 138-145
Felice Mastrangelo An altarpiece by Anton Domenico Gabbiani for the Abbey of San Galgano
read abstract » Pag. 146-150
Marco M. Mascolo "Una spuntatura affrettata": Arte italiana e tedesca by Roberto Longhi
read abstract » Pag. 151-166
Roberto Bartalini Style, iconography, functions. A propos of Padre e figlio by Max Seidel
read abstract » Pag. 167-172
Elisabetta Cioni Padre e figlio by Max Seidel: social history research, transalpine Gothic, the ʻassimilationʼ of the art of Nic
read abstract » Pag. 173-179
Giovanni Agosti Giovanni Testori, the civil commitment
read abstract » Pag. 180-185