PROSPETTIVA - 169/171 (January-October 2018)

Prospettiva

Quarterly
Format cm 28,5 x 21,5
ISSN 0394-0802
Buy paper edition
Buy PDF edition
Subscribe

Index

Alessandro Bagnoli Mariano d'Agnolo Romanelli and the Reliquary of Pope Mark: the return of enamelling 'a figure risparmiate' in the late Trecento
read abstract » pag. 3-11
Elisabetta Cioni For Matteo di Mino di Pagliaio. New considerations on the Sienese goldsmith's art in the second half of the Trecento
read abstract » pag. 12-46
Maria Falcone On the Tomb monument of Margaret of Brabant, the Tomb of Doge Tommaso Campofregoso and other Ligurian works of the Quattrocento
read abstract » pag. 47-89
Gianluca Amato The 'Dead Christ' by Francesco di Giorgio at Santa Maria dei Servi in Siena
read abstract » pag. 90-141
Annamaria Petrioli Tofani For a catalogue of drawings by Agostino Melissi at the Uffizi
read abstract » pag. 142-173
Gianmarco Russo Longhi, reader of Vasari
read abstract » pag. 174-199
Anna Santucci A 'Pseudo-Vitellius' in the Uffizi Gallery (and other 'Pseudo-Vitellius' busts in Florence between the 16th and the 19th century)
read abstract » pp. 200-217
Jörg Deterling An 'Apollo' relief from the Giustiniani collection
read abstract » pag. 218-220
Anna Anguissola Observations on the catalogue of the Dresden sculptures: the case of the “four ancient small young fauns”
read abstract » pag. 221-225
Valentina Balzarotti Pellegrino Tibaldi in the church of Sant'Andrea in Via Flaminia
read abstract » pag. 226-232
Giovanni Renzi Two works by Camillo Procaccini in Tuscany and an episode in the history of collectionism
read abstract » pag. 233-251
Luca Fiorentino Cornelis de Bie and Gian Lorenzo Bernini: observations regarding the critical fortune of Bernini in the Seicento
read abstract » pag. 252-261
Giovanni Agosti e Jacopo Stoppa Controversy and peace on the “Grechetto”
read abstract » pag. 262-273
Giovanni Agosti For Enzo Mengaldo, between two languages
read abstract » pag. 274-282