The article presents the important unpublished 'Dead Christ' by Francesco di Giorgio in the basilica of Santa Maria dei Servi in Siena. Modelled in terracotta and painted, this masterpiece of the Sienese Renaissance was discovered in 2009 and restored between 2015 and 2017. It is a late work by the artist, comparable to sculptures he executed in Siena around 1490. It is particularly reminiscent of the two bronze 'Angels' from the main altar of the duomo in Siena, the 'Saint Christopher' of the Louvre in Paris and the terracotta fragment with a 'Saint Anthony Abbot' of the Museo dell'Opera del Duomo in Siena. The paper also presents some unpublished documents concerning relations maintained by the friars of Santa Maria dei Servi in Siena with such masters as Lorenzo di Mariano, Michele di Ciolo Cioli, Ventura di ser Giuliano di Tura, Bartolomeo Neroni and Domenico Beccafumi.
Index
Alessandro Bagnoli
Mariano d'Agnolo Romanelli and the Reliquary of Pope Mark: the return of enamelling 'a figure risparmiate' in the late Trecento
read abstract » pag. 3-11
read abstract » pag. 3-11
Elisabetta Cioni
For Matteo di Mino di Pagliaio. New considerations on the Sienese goldsmith's art in the second half of the Trecento
read abstract » pag. 12-46
read abstract » pag. 12-46
Maria Falcone
On the Tomb monument of Margaret of Brabant, the Tomb of Doge Tommaso Campofregoso and other Ligurian works of the Quattrocento
read abstract » pag. 47-89
read abstract » pag. 47-89
Gianluca Amato
The 'Dead Christ' by Francesco di Giorgio at Santa Maria dei Servi in Siena
read abstract » pag. 90-141
read abstract » pag. 90-141
Annamaria Petrioli Tofani
For a catalogue of drawings by Agostino Melissi at the Uffizi
read abstract » pag. 142-173
read abstract » pag. 142-173
Anna Santucci
A 'Pseudo-Vitellius' in the Uffizi Gallery (and other 'Pseudo-Vitellius' busts in Florence between the 16th and the 19th century)
read abstract » pp. 200-217
read abstract » pp. 200-217
Anna Anguissola
Observations on the catalogue of the Dresden sculptures: the case of the “four ancient small young fauns”
read abstract » pag. 221-225
read abstract » pag. 221-225
Valentina Balzarotti
Pellegrino Tibaldi in the church of Sant'Andrea in Via Flaminia
read abstract » pag. 226-232
read abstract » pag. 226-232
Giovanni Renzi
Two works by Camillo Procaccini in Tuscany and an episode in the history of collectionism
read abstract » pag. 233-251
read abstract » pag. 233-251
Luca Fiorentino
Cornelis de Bie and Gian Lorenzo Bernini: observations regarding the critical fortune of Bernini in the Seicento
read abstract » pag. 252-261
read abstract » pag. 252-261
Giovanni Agosti e Jacopo Stoppa
Controversy and peace on the “Grechetto”
read abstract » pag. 262-273
read abstract » pag. 262-273