A small portrait of a young man (oil on canvas, 29.5 x 19 cm) is published here for the first time and attributed to Gian Lorenzo Bernini (1598-1680).
The affinity of this head with the painting of Annibale Carracci, and that of Rubens during his Roman years, broadens and deepens our knowledge of Bernini's pictorial style, which until now has been documented by works more reminiscent of Guercino.
In my view a dating of around 1628 would seem the most reasonable.
This new painting by Gian Lorenzo seems to have all the dramatic force and almost aggressively imposed presence of the self-portraits, although it is not easy to include this head in the series of the four 'Self-portraits' we are already familiar with. Indeed, our present state of knowledge would perhaps advise caution, suggesting we go no further than not excluding that it might be a self-portrait.
The affinity of this head with the painting of Annibale Carracci, and that of Rubens during his Roman years, broadens and deepens our knowledge of Bernini's pictorial style, which until now has been documented by works more reminiscent of Guercino.
In my view a dating of around 1628 would seem the most reasonable.
This new painting by Gian Lorenzo seems to have all the dramatic force and almost aggressively imposed presence of the self-portraits, although it is not easy to include this head in the series of the four 'Self-portraits' we are already familiar with. Indeed, our present state of knowledge would perhaps advise caution, suggesting we go no further than not excluding that it might be a self-portrait.
Index
Anna Maria Riccomini e Fabrizio Paolucci
"In la vale". About Girolamo da Carpi and the Della Valle and Medici sculptures
read abstract » pp. 3-14
read abstract » pp. 3-14
Bruna Bianco
Saint Peter's chapel in Naples cathedral and the problem of Montano d'Arezzo: proposal for a revision
read abstract » pp. 15-48
read abstract » pp. 15-48
Stefano L’Occaso
On the tracks of the Dalle Masegne brothers in Mantua: the cathedral façade and the Tomb monument of Margherita Malatesta
read abstract » pp. 49-64
read abstract » pp. 49-64
Michela Zurla
From Genoa to Berlin passing through Florence: Wilhelm Bode, Stefano Bardini and the auction of the Santo Varni collection
read abstract » pp. 100-128
read abstract » pp. 100-128
Roberto Bartalini
Francesco Salviati in the chapel of the Margrave of Brandenburg in Santa Maria dell'Anima
read abstract » pp. 129-145
read abstract » pp. 129-145
Alessandro Angelini
The 'Resurrection of Christ' by Guillaume Bonoyseau from Palazzo Ricci Sacchetti in Rome and the French connection for Francesco Salviati
read abstract » pp. 146-158
read abstract » pp. 146-158
Agostino Allegri e Giovanni Renzi
Cremona on the Danube. First look at a handful of the 16th-century drawings in Bratislava
read abstract » pp. 159-178
read abstract » pp. 159-178
Tomaso Montanari
A new 'Portrait of a young man' by Gian Lorenzo Bernini the painter
read abstract » pp. 179-182
read abstract » pp. 179-182