On the Origins of the Manerius Style: The Contribution
of the Great Gloss on the Psalms Belonging to Canon
and Magister Cotta of Vercelli
The problem of the genesis of the late Romanesque
Manerius style is still under discussion due to the difficulty
to agree upon the origin and chronology of the
earliest manuscripts decorated in this style. The copy of
Peter Lombard's Great Gloss on the Psalms, preserved
in the Biblioteca Capitolare of Vercelli (mss. LXXXVII-
LXXXVIII) contains, at the beginning of the second
volume, an unpublished ornamental initial in Manerius
style. Since it is documented that these volumes entered
the Chapter Library in 1194, we have a precious terminus
ante quem for their execution. The close proximity
of this added initial to those of the Manerius Bible (Paris,
Bibliothèque Sainte-Geneviève, 8-10), together with
the possibility to place its creation in Paris, allows us to
reopen the debate on the origin of the Manerius style,
suggesting a Parisian origin, and recommend the necessity
of new researches on the manuscripts decorated in
this style.
of the Great Gloss on the Psalms Belonging to Canon
and Magister Cotta of Vercelli
The problem of the genesis of the late Romanesque
Manerius style is still under discussion due to the difficulty
to agree upon the origin and chronology of the
earliest manuscripts decorated in this style. The copy of
Peter Lombard's Great Gloss on the Psalms, preserved
in the Biblioteca Capitolare of Vercelli (mss. LXXXVII-
LXXXVIII) contains, at the beginning of the second
volume, an unpublished ornamental initial in Manerius
style. Since it is documented that these volumes entered
the Chapter Library in 1194, we have a precious terminus
ante quem for their execution. The close proximity
of this added initial to those of the Manerius Bible (Paris,
Bibliothèque Sainte-Geneviève, 8-10), together with
the possibility to place its creation in Paris, allows us to
reopen the debate on the origin of the Manerius style,
suggesting a Parisian origin, and recommend the necessity
of new researches on the manuscripts decorated in
this style.
Index
Alessia Marzo
On the Origins of the Manerius Style: The Contribution of the Great Gloss on the Psalms Belonging to Canon and Magister Cotta of Vercelli
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Laura Violi
The Bible 1 in the Biblioteca Capitolare Feliniana in Lucca: Text, Images, Authorship
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Andrea Cravero
The Florentine Bible of the Biblioteca Nazionale Universitaria of Turin
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Stefania Coniglio
Word and Image in the Vita Gloriosissimae Virginis Mariae Manuscript (Oxford, Bodleian Library, Ms. Canon. Misc. 476)
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Stefano Candiani
Some Observations on the Iconography of the Ambrosian Saint Bishops in the 14th-Century Berlin-Milan Martyrologium
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Marta Guagnozzi
Two Illuminated Law Manuscripts at the Biblioteca Nazionale of Napoli from the “pulchra libraria” of the Monastery of Capestrano
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Eleonora Mattia
A Plutarch Commissioned in Verona in The Royal Library of Copenhagen
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Marina Vitullo
Three Emilian Illuminated Manuscripts at the Biblioteca di Santa Maria dei Miracoli in Casalbordino
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Cristina Quattrini
Within the Influence of Giapeco and Bartolomeo Caporali. Two Choir Books for an Observant Convent in Montefeltro
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Chiara Copes
The Representation of the Lombard Domestic Interiors in Cristoforo de Predis's Illuminations
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Serena Franzon
Depiction of Jewellery in 15th- and 16th-Century Book Illumination. Similarities and Differences between Italian and Flemish Miniatures
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Margherita Zibordi
Studies on Book Illumination in Venice during the Nineteenth Century: Cesare Foucard's Lecture at the Accademia di Belle Arti (1857)
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Massimo Bernabò
Birth of a New Discipline. Weitzann, Toesca, Salmi: The Path Splits
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