Two Illuminated Law Manuscripts at the Biblioteca
Nazionale of Napoli from the “pulchra libraria”
of the Monastery of Capestrano
This article focuses on two illuminated law manuscripts
that were once part of the library of the Franciscan convent
in Capestrano, in Abruzzo. Both belonged to the library
of St. John of Capestrano, known as the 'champion'
of the Franciscan Observance. The coat of arms painted
in the foliate border of manuscript III.A.2 allows identifying
as patrons the counts of Celano, major sponsors of
the arts in Abruzzo, and helps to establish the chronology
of the manuscript itself. The decorative features of the
borders reveal that the iconography and the style of both
the volumes are Bolognese. Moreover, the two initials of
manuscript I.H.6 can be assigned to the Bolognese Master
of 1446. More complex and thorny issues arise from
the other volume. In particular, the large and notable miniature
in the incipit page reveals a fascinating, and, so
far, unknown artistic personality, whose art could offer
a contribution to the further development of the study of
painting and illumination in Abruzzo during the first half
of the 14th century. The author of this miniature might
even represent a link between the activity of the Master
of Beffi and the art of Andrea Delitio.
Nazionale of Napoli from the “pulchra libraria”
of the Monastery of Capestrano
This article focuses on two illuminated law manuscripts
that were once part of the library of the Franciscan convent
in Capestrano, in Abruzzo. Both belonged to the library
of St. John of Capestrano, known as the 'champion'
of the Franciscan Observance. The coat of arms painted
in the foliate border of manuscript III.A.2 allows identifying
as patrons the counts of Celano, major sponsors of
the arts in Abruzzo, and helps to establish the chronology
of the manuscript itself. The decorative features of the
borders reveal that the iconography and the style of both
the volumes are Bolognese. Moreover, the two initials of
manuscript I.H.6 can be assigned to the Bolognese Master
of 1446. More complex and thorny issues arise from
the other volume. In particular, the large and notable miniature
in the incipit page reveals a fascinating, and, so
far, unknown artistic personality, whose art could offer
a contribution to the further development of the study of
painting and illumination in Abruzzo during the first half
of the 14th century. The author of this miniature might
even represent a link between the activity of the Master
of Beffi and the art of Andrea Delitio.
Index
Alessia Marzo
On the Origins of the Manerius Style: The Contribution of the Great Gloss on the Psalms Belonging to Canon and Magister Cotta of Vercelli
vai all'articolo »
vai all'articolo »
Laura Violi
The Bible 1 in the Biblioteca Capitolare Feliniana in Lucca: Text, Images, Authorship
vai all'articolo »
vai all'articolo »
Andrea Cravero
The Florentine Bible of the Biblioteca Nazionale Universitaria of Turin
vai all'articolo »
vai all'articolo »
Stefania Coniglio
Word and Image in the Vita Gloriosissimae Virginis Mariae Manuscript (Oxford, Bodleian Library, Ms. Canon. Misc. 476)
vai all'articolo »
vai all'articolo »
Stefano Candiani
Some Observations on the Iconography of the Ambrosian Saint Bishops in the 14th-Century Berlin-Milan Martyrologium
vai all'articolo »
vai all'articolo »
Marta Guagnozzi
Two Illuminated Law Manuscripts at the Biblioteca Nazionale of Napoli from the “pulchra libraria” of the Monastery of Capestrano
vai all'articolo »
vai all'articolo »
Eleonora Mattia
A Plutarch Commissioned in Verona in The Royal Library of Copenhagen
vai all'articolo »
vai all'articolo »
Marina Vitullo
Three Emilian Illuminated Manuscripts at the Biblioteca di Santa Maria dei Miracoli in Casalbordino
vai all'articolo »
vai all'articolo »
Cristina Quattrini
Within the Influence of Giapeco and Bartolomeo Caporali. Two Choir Books for an Observant Convent in Montefeltro
vai all'articolo »
vai all'articolo »
Chiara Copes
The Representation of the Lombard Domestic Interiors in Cristoforo de Predis's Illuminations
vai all'articolo »
vai all'articolo »
Serena Franzon
Depiction of Jewellery in 15th- and 16th-Century Book Illumination. Similarities and Differences between Italian and Flemish Miniatures
vai all'articolo »
vai all'articolo »
Margherita Zibordi
Studies on Book Illumination in Venice during the Nineteenth Century: Cesare Foucard's Lecture at the Accademia di Belle Arti (1857)
vai all'articolo »
vai all'articolo »
Massimo Bernabò
Birth of a New Discipline. Weitzann, Toesca, Salmi: The Path Splits
vai all'articolo »
vai all'articolo »