The article examines a group of figure-decorated situlas datable to the 5th-4th century BC coming from Este and its surrounding area. More specifically it explores the possibility of identifying in the motifs and iconographic sequences not so much a simple juxtaposition of decorative and filler elements, but rather a narrative intent, behind which a local story might be discerned. Significantly, the narrative function of figured scenes on situlas was evident from the late 7th century BC onwards, when early examples of this artistic production first appeared: it is therefore possible that the communicative purpose of these decorated vessels was either maintained through the centuries, or consciously resumed between the 5th and 4th century BC, as the examples under examination seem to suggest. Analysis of the images has shown, in different artefacts, the recurrence and repetition of easily recognizable iconographic types: it is proposed, therefore, that the scenes illustrate a story whose heroic protagonist, having assumed the likeness of a winged creature, confronts a series of fantastic animals.
Index
Lorenzo Miletti, Stefania Tuccinardi
A poetical celebration of the Cortile delle Statue and the 'Cleopatra' in the Vatican: Aurelio Serena da Monopoli
read abstract » pag. 3-19
read abstract » pag. 3-19
Roberto Bartalini
“La piaga che Maria richiuse e unse”. More on the mural paintings by Ambrogio Lorenzetti in the chapel of San Galgano on Monte Siepi
read abstract » pag. 20-31
read abstract » pag. 20-31
Cristiana Pasqualetti
New light on Calderini Pontifical and manuscript decoration between L'Aquila and Rome during the Great Schism (with a mention of Zacara da Teramo, “scriptore et miniatore”)
read abstract » pag. 32-59
read abstract » pag. 32-59
Silvia Paltineri
A group of figure-decorated situlas from the Este area dating from the 5th-4th century BC. A possible interpretation
read abstract » pag. 60-68
read abstract » pag. 60-68
Antonio Mazzotta
More Venetian 'portraits' for Antonello, Jacometto and Andrea Previtali
read abstract » pag. 69-91
read abstract » pag. 69-91
Cristina Conti
Perino del Vaga and the 'Lamentation of Christ' in Santo Stefano del Cacco: a proposed dating
read abstract » pag. 92-95
read abstract » pag. 92-95
Camilla Colzani
Pellegrino Tibaldi and the painting of the Sala Regia in the Vatican: documents and drawings
read abstract » pag. 96-99
read abstract » pag. 96-99
Gennaro De Luca
The poet Giorgio Maria Rapparini and the arts at the Palatine court of Düsseldorf
read abstract » pag. 105-121
read abstract » pag. 105-121
Stefania Castellana
An incursion into the workshop of Sagrestani: Giuseppe Moriani and the 'Martyrdom of Saint Andrew' in the church of the Mantellate in Florence
read abstract » pag. 122-133
read abstract » pag. 122-133
Elisa Bruttini
“Antichità, e altre galanterie diverse”. The rudite collector Giovan Girolamo Carli
read abstract » pp.. 134-141
read abstract » pp.. 134-141
Nicol M. Mocchi
The Austro-German model for Italian painters in the age of Symbolism:hypotheses of visual appropriation
read abstract » pag. 142-165
read abstract » pag. 142-165
Eliana Carrara
Review of Le postille di padre Sebastiano Resta ai due esemplari delle «Vite» di Giorgio Vasari nella Biblioteca Apostolica Vaticana and Le Postille di Padre Resta alle «Vite» di Baglione. Omaggio a Simonetta Prosperi Valenti Rodinò
read abstract » pag. 180-181
read abstract » pag. 180-181