“Antichità, e altre galanterie diverse”. The rudite collector Giovan Girolamo Carli

Elisa Bruttini
The intellectual career of Giovan Girolamo Carli (Siena, 1719-1786) represents an emblematic case of 18th-century erudition, though one that was also entirely original. After early teaching posts in Colle di Val d'Elsa and later Gubbio, Carli, during a brief return to his native parts, compiled a compendium of Sienese art that would play an important part in the reappraisal of the Middle Ages which was entrusted to the more mature pen of Guglielmo Della Valle by way of his friend Giuseppe Ciaccheri. Carli subsequently obtained the prestigious post of secretary of the Royal Academy of Sciences, Letters and Arts in Mantua, during which time, stimulated by contacts with leading intellectuals, he had the opportunity of visiting archaeological excavations in the local area and creating the Galleria di Marmi Antichi, which remained substantially unaltered until 1915. The present essay retraces the inventory of Carli's private collection taken from the manuscript conserved at the Biblioteca Comunale degli Intronati in Siena in various drafts, datable to 1782 and accompanied by a detailed estimate of value in view of a possible sale, although it is more likely that the collection was in fact dispersed. A Catalogo delle mie antichità, e altre galanterie diverse, documenting Carli's antiquarian passion for accumulating objects and ornaments of various kind (natural products, mirabilia, Etruscan and Roman artefacts, engravings, paintings, carved gems and medals) and giving us an idea of the original display, based on aesthetic and typological criteria. What emerges is his tireless devotion to the work of classification, an expression of his heartfelt responsibility for an ideal inheritance to be transmitted – in a spirit of enlightenment, though already with a touch of romanticism – to future generations.

Index

Lorenzo Miletti, Stefania Tuccinardi A poetical celebration of the Cortile delle Statue and the 'Cleopatra' in the Vatican: Aurelio Serena da Monopoli
read abstract » pag. 3-19
Roberto Bartalini “La piaga che Maria richiuse e unse”. More on the mural paintings by Ambrogio Lorenzetti in the chapel of San Galgano on Monte Siepi
read abstract » pag. 20-31
Cristiana Pasqualetti New light on Calderini Pontifical and manuscript decoration between L'Aquila and Rome during the Great Schism (with a mention of Zacara da Teramo, “scriptore et miniatore”)
read abstract » pag. 32-59
Silvia Paltineri A group of figure-decorated situlas from the Este area dating from the 5th-4th century BC. A possible interpretation
read abstract » pag. 60-68
Antonio Mazzotta More Venetian 'portraits' for Antonello, Jacometto and Andrea Previtali
read abstract » pag. 69-91
Cristina Conti Perino del Vaga and the 'Lamentation of Christ' in Santo Stefano del Cacco: a proposed dating
read abstract » pag. 92-95
Camilla Colzani Pellegrino Tibaldi and the painting of the Sala Regia in the Vatican: documents and drawings
read abstract » pag. 96-99
Giuseppe Porzio Ribera around 1625: a new 'Saint Francis'
read abstract » pag. 100-104
Gennaro De Luca The poet Giorgio Maria Rapparini and the arts at the Palatine court of Düsseldorf
read abstract » pag. 105-121
Stefania Castellana An incursion into the workshop of Sagrestani: Giuseppe Moriani and the 'Martyrdom of Saint Andrew' in the church of the Mantellate in Florence
read abstract » pag. 122-133
Elisa Bruttini “Antichità, e altre galanterie diverse”. The rudite collector Giovan Girolamo Carli
read abstract » pp.. 134-141
Nicol M. Mocchi The Austro-German model for Italian painters in the age of Symbolism:hypotheses of visual appropriation
read abstract » pag. 142-165
Annamaria Petrioli Tofani Mario Di Giampaolo: in memoriam
read abstract » pag. 166-172
Victor M. Schmidt Review of Guariento
read abstract » pag. 173-179
Eliana Carrara Review of Le postille di padre Sebastiano Resta ai due esemplari delle «Vite» di Giorgio Vasari nella Biblioteca Apostolica Vaticana and Le Postille di Padre Resta alle «Vite» di Baglione. Omaggio a Simonetta Prosperi Valenti Rodinò
read abstract » pag. 180-181