Importations and productions of carvings of Laconian and Ionian origin in the 7th and 6th century BC between Picenum and southern Italy

Giulia Rocco
The paper analyzes the iconographic and stylistic elements of Laconian and Ionian origin characterizing various groups of ivory, bone and amber carvings discovered in Picenum and southern Italy and their relationship with productions from Sparta. These materials, commissioned locally, would justify a reappraisal of the role carried out by Laconian craftsmen in the Adriatic region between the 7th and 6th century BC.
published in
PROSPETTIVA - 177 (January 2020)

Italiano
pp. 3-21
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Giulia Rocco Importations and productions of carvings of Laconian and Ionian origin in the 7th and 6th century BC between Picenum and southern Italy
read abstract » pp. 3-21
Raffaele Marrone The chapel of Saint Nicholas in the old bishopric of Pistoia and its painting cycle. Style, context, meaning
read abstract » pp. 22-69
Gianluca Amato The Del Tasso workshop, carvers of the Doni Tondo frame, and the 'Crucifix' of the Misericordia of Montepulciano
read abstract » pp. 70-87
Vittoria Romani The article presents a little-known drawing by Lelio Orsi, kept at the Real Academia de Bellas Artes de San Fernando in Madrid, depicting a fable of Aesopic tradition from the version published in 1563 in the volume of the Fabulae Centum by the Cremonese
read abstract » pp. 88-94