The article focuses on one of the most debated and complex issues in the area of studies on Florentine wooden sculpture of the Renaissance: the activity of the woodcarvers of Michelangelo's Doni Tondo frame, the sons of Domenico del Tasso, Marco and Francesco. These well-known masters had contacts with the most established carving workshops in Florence between the 15th and 16th century: that of the brothers Giuliano and Benedetto da Maiano, and that of the brothers Giuliano and Antonio da Sangal
Index
Giulia Rocco
Importations and productions of carvings of Laconian and Ionian origin in the 7th and 6th century BC between Picenum and southern Italy
read abstract » pp. 3-21
read abstract » pp. 3-21
Raffaele Marrone
The chapel of Saint Nicholas in the old bishopric of Pistoia and its painting cycle. Style, context, meaning
read abstract » pp. 22-69
read abstract » pp. 22-69
Gianluca Amato
The Del Tasso workshop, carvers of the Doni Tondo frame, and the 'Crucifix' of the Misericordia of Montepulciano
read abstract » pp. 70-87
read abstract » pp. 70-87
Vittoria Romani
The article presents a little-known drawing by Lelio Orsi, kept at the Real Academia de Bellas Artes de San Fernando in Madrid, depicting a fable of Aesopic tradition from the version published in 1563 in the volume of the Fabulae Centum by the Cremonese
read abstract » pp. 88-94
read abstract » pp. 88-94