From Devotion to Collecting. An Illuminated Cutting from a Venetian Mariegola of the 15th Century (Venice, Correr Museum, Cl. II 673)

Chiara Ponchia
The article focuses on an illuminated bifolium preserved in the collection of cuttings of the Correr Museum (Cl. II 673). The dimensions of the piece, its two miniatures and their iconography – The Crucifixion on the left and The Virgin and Saint Ursula with praying laymen on the right – indicate that this cutting originally belonged to a mariegola. The mariegola codices were produced for Venetian confraternities from the 13th century onward. Objects of devotion throughout the Middle Ages, in the 19th century they attracted the interest of collectors for their historical value but also, when illuminated, for the beauty of their miniatures. This must have been the case of the bifolium Cl. II 673 which was probably excised from its original manuscript to obtain a sort of painted diptych. The two beautiful miniatures can be compared with the early works by Cristoforo Cortese, the leading late-gothic Venetian illuminator, whose workshop is responsible of the decoration of the main part of the mariegola codices of that period.
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RIVISTA DI STORIA DELLA MINIATURA - 23 - (PDF)

Italiano
pag. 131-139

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Index

Massimo Bernabò The Smirne Phisiologus and Two More Illuminated Paleologan Manuscripts
vai all'articolo » pag. 17-21
Sonia Chiodo A Small Book and Its Travels, between Reuse, Integration and Manipulation
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Giulia Guerini Revival of Antiquity and Erudite Quotations: Reflections around the Miniature of the Triumph of Glory in the Manuscript of the De viris illustribus by Petrarch
vai all'articolo » pag. 29-36
Giordana Mariani Canova Revival of Antiquity and Quotations, Re-uses between Venice and Milan in the 15th-Century Illumination: The Case of Francesco Filelfo and Filarete
vai all'articolo » pag. 37-45
Emanuela Spagnoli Coins in Decorated 15th-Century Margins. Preliminary Notes and Two Case Studies
vai all'articolo » pag. 46-54
Ulrike Bauer-Eberhardt Repeating or Modifying? The Illustrations in De re militari by Roberto Valturio
vai all'articolo » pag. 55-62
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vai all'articolo » pag. 63-75
Laura Zabeo Reinterpreting the Antiquity in the Roman Humanistic Manuscript
vai all'articolo » pag. 76-86
Chiara Paniccia The Icon of a Prince and His Models: The Illuminated Portraits of Federico da Montefeltro
vai all'articolo » pag. 87-95
Giuseppa Z. Zanichelli Reuse Strategies for Book of Hours
vai all'articolo » pag. 96-103
Teresa D’Urso Antiquity Revival and Mantegnesque Citations in Aragonese Naples: The Manuscripts with Stained Membrane Pages Commissioned by Diomede Carafa
vai all'articolo » pag. 104-112
Hans-Joachim Eberhardt Giulio Clovio and Girolamo dai Libri in Candiana: Illustrating Vasari and the Contemporary Activity of Two Geniuses
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Beatrice Alai Litterae deauratae et pictae: Illuminated Fragments from the Sistine Chapel in Albums in the von Nagler Collection
vai all'articolo » pag. 121-130
Chiara Ponchia From Devotion to Collecting. An Illuminated Cutting from a Venetian Mariegola of the 15th Century (Venice, Correr Museum, Cl. II 673)
vai all'articolo » pag. 131-139
Margherita Zibordi Replicated Illuminations: Some Cuttings in the Museo Correr and Their Relationships with the Gradual of the Chapter of Udine
vai all'articolo » pag. 140-148
Eleonora Mattia The Copy and Its Creative Interpretation: Pietro Krohn and His Illumination Models at the Designmuseum Danmark
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Francesca Manzari, Milva Tolentinati A Mysterious Example of Collecting in Ancona: The Illuminated Cuttings at the Biblioteca della Soprintendenza Archeologica delle Marche
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vai all'articolo » pag. 185-192
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vai all'articolo » pag. 193-199
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vai all'articolo » pag. 200-208
Paola Guerrini Tarot's Inheritance in the Use and Reuse of Images of a 17th-Century Codex: Vitt. Em. 307 in the Biblioteca Nazionale Centrale of Rome
vai all'articolo » pag. 209-215
Emilia Anna Talamo Revival and Reuse in 19th-Century Illuminations: Ettore Sampaolo
vai all'articolo » pag. 216-221
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vai all'articolo » pag. 222-232
Giulia Orofino Rabano Mauro and Mimmo Paladino. The Nachleben of an Illuminated Medieval Codex
vai all'articolo » pag. 233-242