‘Portraits' for Jacometto Veneziano, Marco Basaiti and Andrea Previtali

This short article aims to re-attribute three portraits to artists active in Venice between the end of the fifteenth and beginning of the sixteenth century: Jacometto, Marco Basaiti and Andrea Previtali. This process of re-attribution is an opportunity to shed new light on the evolution of Venetian Renaissance portraiture, starting with the artistic world of Antonello da Messina and Bellini and culminating in the paintings of Lorenzo Lotto.

Index

Francesco Aceto Church area and altarpieces by "primitives" in San Lorenzo Maggiore in Naples: from the "Saint Louis" by Simone Martini to the "Saint Jerome" by Colantonio. II
read abstract » pp. 2-61
Gianluca Amato The wooden 'Crucifixes' of Giuliano, Antonio and Francesco da Sangallo
read abstract » pp. 62-123
Fernando Gilotta A new krater by the Fould Painter
read abstract » pp. 124-125
Jacometto Veneziano and the humanists. A proposal for the 'Portrait of Luca Pacioli and Guidubaldo da Montefeltro' of the Museo di Capodimonte
read abstract » pp. 126-149
'Portraits' for Jacometto Veneziano, Marco Basaiti and Andrea Previtali
read abstract » pp. 150-158
Leonardo da Vinci in the Castello Sforzesco in Milan: a citation from Luca Pacioli for the “Sala delle Asse”, or “room of the mulberry trees”
read abstract » pp. 159-166
Alessandra Pattanaro A 'Male Portrait' by Girolamo da Carpi from Palazzo Spreti in Ravenna
read abstract » pp. 167-172
Stefano L'Occaso Lattanzio Gambara at Maguzzano
read abstract » pp. 173-177
Elena Rame A drawing by Lattanzio Gambara for the 'Martyrdom of Saint Stephen' at Vimercate
read abstract » pp. 178-179
Gennaro De Luca A new interpretation of the “gentil huomo famoso pittore” Giovanni Maria Morandi
read abstract » pp. 180-191
Fabio Sottili The 'Portrait of Count de Bonneval' by Violante Siries and the turqueries of the Sansedoni family
read abstract » 192-197