The 'Fondo San Celso' is an extraordinarily heterogeneous corpus of drawings from the sacristy of the Milanese sanctuary of Santa Maria near San Celso which was incorporated into the Castello Sforzesco collections in the early 1920s. This collection contains a sheet, previously attributed to the Valsesian painter Cristoforo Martinolio, known as 'il Rocca', which is instead identified here as an autograph work by Lattanzio Gambara. This rather refined study is of particular importance since it relates to the decorative cycle executed by the Brescian painter in 1566 in the collegiate church of Santo Stefano at Vimercate.
Index
Francesco Aceto
Church area and altarpieces by "primitives" in San Lorenzo Maggiore in Naples: from the "Saint Louis" by Simone Martini to the "Saint Jerome" by Colantonio. II
read abstract » pp. 2-61
read abstract » pp. 2-61
Gianluca Amato
The wooden 'Crucifixes' of Giuliano, Antonio and Francesco da Sangallo
read abstract » pp. 62-123
read abstract » pp. 62-123
Jacometto Veneziano and the humanists. A proposal for the 'Portrait of Luca Pacioli and Guidubaldo da Montefeltro' of the Museo di Capodimonte
read abstract » pp. 126-149
read abstract » pp. 126-149
Leonardo da Vinci in the Castello Sforzesco in Milan: a citation from Luca Pacioli for the “Sala delle Asse”, or “room of the mulberry trees”
read abstract » pp. 159-166
read abstract » pp. 159-166
Alessandra Pattanaro
A 'Male Portrait' by Girolamo da Carpi from Palazzo Spreti in Ravenna
read abstract » pp. 167-172
read abstract » pp. 167-172
Elena Rame
A drawing by Lattanzio Gambara for the 'Martyrdom of Saint Stephen' at Vimercate
read abstract » pp. 178-179
read abstract » pp. 178-179
Gennaro De Luca
A new interpretation of the “gentil huomo famoso pittore” Giovanni Maria Morandi
read abstract » pp. 180-191
read abstract » pp. 180-191
Fabio Sottili
The 'Portrait of Count de Bonneval' by Violante Siries and the turqueries of the Sansedoni family
read abstract » 192-197
read abstract » 192-197