Lattanzio Gambara at Maguzzano

The Benedictines frequently employed the artist Lattanzio Gambara (ca. 1530-1574), who in the 1560s often painted in churches belonging to the Order: in Brescia and Rodengo Saiano, in San Benedetto Polirone near Mantua, and even in Modena. A so far underrated altarpiece in the church of Maguzzano – having close links with Polirone – is here attributed to Gambara on stylistic grounds. The painting, previously referred to as 17th -century Emilian art, represents an episode from the life of Saint Benedict and can be readily compared with the 'Conversion of Saul' formerly in Polirone and now in Brescia (Banco di Brescia). The latter altarpiece was commissioned in 1560 (not in 1561 as previously thought) and a similar or slightly later date can now be proposed for the altarpiece of Maguzzano.

Index

Francesco Aceto Church area and altarpieces by "primitives" in San Lorenzo Maggiore in Naples: from the "Saint Louis" by Simone Martini to the "Saint Jerome" by Colantonio. II
read abstract » pp. 2-61
Gianluca Amato The wooden 'Crucifixes' of Giuliano, Antonio and Francesco da Sangallo
read abstract » pp. 62-123
Fernando Gilotta A new krater by the Fould Painter
read abstract » pp. 124-125
Jacometto Veneziano and the humanists. A proposal for the 'Portrait of Luca Pacioli and Guidubaldo da Montefeltro' of the Museo di Capodimonte
read abstract » pp. 126-149
'Portraits' for Jacometto Veneziano, Marco Basaiti and Andrea Previtali
read abstract » pp. 150-158
Leonardo da Vinci in the Castello Sforzesco in Milan: a citation from Luca Pacioli for the “Sala delle Asse”, or “room of the mulberry trees”
read abstract » pp. 159-166
Alessandra Pattanaro A 'Male Portrait' by Girolamo da Carpi from Palazzo Spreti in Ravenna
read abstract » pp. 167-172
Stefano L'Occaso Lattanzio Gambara at Maguzzano
read abstract » pp. 173-177
Elena Rame A drawing by Lattanzio Gambara for the 'Martyrdom of Saint Stephen' at Vimercate
read abstract » pp. 178-179
Gennaro De Luca A new interpretation of the “gentil huomo famoso pittore” Giovanni Maria Morandi
read abstract » pp. 180-191
Fabio Sottili The 'Portrait of Count de Bonneval' by Violante Siries and the turqueries of the Sansedoni family
read abstract » 192-197