Three identifications of ancient statues from the engravings of Giovanni Battista de Cavalieri

The author proposes three new identifications of previously unidentified sculptures on the basis of an examination of three engravings illustrating the work Antiquarum statuarum urbis Romae tertius et quartus liber by Giovanni Battista de Cavalieri, printed in 1593.
published in
PROSPETTIVA - 163/164 (July-October 2016) PDF

Italiano
pag. 74-75
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Index

Aegyptiaca ligoriana: Isis and the “gran bubo” from Hadrian's Villa to the gardens of the Quirinale
read abstract » pag. 2-27
The San Clemente polyptych by Agostino De Marchi and Marco Zoppo: documents, chronology and style
read abstract » pag. 28-49
Angiolo Del Santo, a sculptor dedicated to graphic work on the covers of 'Vita d'Arte'
read abstract » pag. 50-63
A new tomb of the Late Orientalising period found in Tivoli in the context of relations between the Valle dell'Aniene and the adjoining Italic communities
read abstract » pag. 64-73
Three identifications of ancient statues from the engravings of Giovanni Battista de Cavalieri
read abstract » pag. 74-75
“Bonamicho excellentissimo maestro”. On Luciano Bellosi's Buffalmacco
read abstract » pag. 76-87
Trionfalmacco per Pisa
read abstract » pag. 88-94
The fragmentary epigraph painted in the 'Resurrection' by Piero della Francesca: a hypothetical reconstruction
read abstract » pag. 95-97
New research on San Giovanni di Verdara in Padua: Bishop Pietro Barozzi and the workshop of Pierantonio Degli Abati
read abstract » pag. 98-109
On the early activity of Antoniazzo Romano: the 'Madonna del Buon Consiglio' triptych for Zagarolo
read abstract » pag. 110-123
A 'Young Saint John the Baptist' in terracotta by Andrea Sansovino
read abstract » pag. 124-143
A clarification regarding the “scrittoio” of Margaret of Parma
read abstract » pag. 144-147
A long misunderstanding: 'Saints James the Less and Philip' by Paolo Veronese from Lecce to Dublin
read abstract » pag. 148-163
Another trace of Tanzio in Naples
read abstract » pag. 164-183
Bernini the painter: the reappearance of the Costa 'Portrait of a Young Man'
read abstract » pag. 184-185
Notes on a 17th-century guide to Rome from the library of Giuliano Briganti
read abstract » pag. 186-195