Analysis of the celebrated book by Luciano Bellosi, Buffalmacco e il Trionfo della Morte, aiming to reconstruct the author's cultural horizons and method at the time of the creation and structuring of the work (late 1960s-early 1970s), as well as its success and reception in time.
Index
Aegyptiaca ligoriana: Isis and the “gran bubo” from Hadrian's Villa to the gardens of the Quirinale
read abstract » pag. 2-27
read abstract » pag. 2-27
The San Clemente polyptych by Agostino De Marchi and Marco Zoppo: documents, chronology and style
read abstract » pag. 28-49
read abstract » pag. 28-49
Angiolo Del Santo, a sculptor dedicated to graphic work on the covers of 'Vita d'Arte'
read abstract » pag. 50-63
read abstract » pag. 50-63
A new tomb of the Late Orientalising period found in Tivoli in the context of relations between the Valle dell'Aniene and the adjoining Italic communities
read abstract » pag. 64-73
read abstract » pag. 64-73
Three identifications of ancient statues from the engravings of Giovanni Battista de Cavalieri
read abstract » pag. 74-75
read abstract » pag. 74-75
The fragmentary epigraph painted in the 'Resurrection' by Piero della Francesca: a hypothetical reconstruction
read abstract » pag. 95-97
read abstract » pag. 95-97
New research on San Giovanni di Verdara in Padua: Bishop Pietro Barozzi and the workshop of Pierantonio Degli Abati
read abstract » pag. 98-109
read abstract » pag. 98-109
On the early activity of Antoniazzo Romano: the 'Madonna del Buon Consiglio' triptych for Zagarolo
read abstract » pag. 110-123
read abstract » pag. 110-123
A long misunderstanding: 'Saints James the Less and Philip' by Paolo Veronese from Lecce to Dublin
read abstract » pag. 148-163
read abstract » pag. 148-163
Bernini the painter: the reappearance of the Costa 'Portrait of a Young Man'
read abstract » pag. 184-185
read abstract » pag. 184-185
Notes on a 17th-century guide to Rome from the library of Giuliano Briganti
read abstract » pag. 186-195
read abstract » pag. 186-195