Evidence pointing to the identity of the ‘Master of the Sforza Altarpiece'

Antonio Mazzotta
The 'Master of the Sforza Altarpiece' is one of the unresolved mysteries of Milan at the time of the Sforza family and, more generally, of the history of art. Recently, however, it has been proposed that the artist might be identified as Giovanni Angelo Mirofoli from Seregno. This paper presents a series of elements that makes this identification plausible. An 'Annunciation', hidden in a small town in France, is here attributed to the 'Master' due to its similarities with a drawing by him in the Museé du Louvre and with his frescoes in the church of San Giorgio in Annone Brianza. It is argued that this 'Annunciation', made up of two wings, might have been part of the lost organ shutters that Mirofoli painted in 1491 for the Duomo of Milan.
published in
PROSPETTIVA - 181-182 (January-April 2021)

Italiano
pp. 78-85
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Index

Carl Brandon Strehlke Looking for Giotto
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Francesco Aceto Between Giotto and Simone Martini. A rare painted portal with 'Stories of the Passion' in Naples cathedral and its topographical and liturgical context
read abstract » pp. 13-22
Victor M. Schmidt A proposal for Ambrogio Lorenzetti's panel paintings from the church of San Procolo in Florence
read abstract » pp. 23-30
Keith Christiansen The architecture in a Bohemian panel of the Metropolitan Museum of Art
read abstract » pp. 31-35
Gabriele Fattorini On the 'Annunciation' of the Kaiser-Friedrich-Museum by Jacopo della Quercia
read abstract » pp. 36-46
Francesco Caglioti Desiderio da Settignano the portraitist: “una testa del Chardinale di Portoghallo”, or the 'Saint Lawrence' in the Old Sacristy of San Lorenzo in Florence
read abstract » pp. 47-59
Alessandro Angelini Francesco di Giorgio in Urbino and the iconography of the 'Flagellation'
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Gianluca Amato Benedetto da Maiano: two proposals for the catalogue of terracottas
read abstract » pp. 69-77
Antonio Mazzotta Evidence pointing to the identity of the 'Master of the Sforza Altarpiece'
read abstract » pp. 78-85
Roberto Bartalini Raphael and Sodoma in the Stanza della Segnatura. New findings
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Giovanni Agosti e Jacopo Stoppa Doxiana
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Michele Maccherini Three papers on Beccafumi
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Rosanna De Gennaro About the little-known opisthographic marble altarpiece of the abbey of Montevergine
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Elisabetta Cioni Notes on the 17th-century reliquary of the right arm of Saint John the Baptist of Siena cathedral
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Tomaso Montanari Bernini's caricatures: spirit without corpus?
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Gennaro Toscano The popularity of Dante in France in the early 19th century. Aubin-Louis Millin and ms. XIII.C.4 of the Biblioteca Nazionale in Naples
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Federica Testa Paolo Lombardi, photographer: portrait of an art dealer
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Laura Cavazzini Alceo Dossena and the forgery of Gothic sculpture between Lombardy and Tuscany
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Luca Quattrocchi Italian art for National Socialism. Antonio Maraini and the Ausstellung Italienischer Kunst von 1800 bis zur Gegenwart exhibition in Berlin in 1937
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Marco M. Mascolo Wilhelm R. Valentiner, Renaissance sculpture and the problems of connoisseurship
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