This paper presents the analysis of an incised impasto fragment, probably coming from the area of Montalcino (Castelnuovo dell'Abate, Siena) and characterised by a figurative scene. A warship, a winged animal, a goat, or ram, and, possibly, a siren appear in the remaining decorative scene. Despite an evident lack of skill in the incised lines, this 'new' document enriches the repertoire of late-Orientalising or early Archaic impasto productions. Considering the fragmentary nature of the artefact and the lack of a precise context of provenance, the exegesis of the figurative scene is complex. The association of a shipwreck scene with a siren (?) and a goat may possibly refer to the Odysseus nostos, in the more general context of well-known motifs, which recur, for example, on the white-on-red impasto amphora, eponym of the Pittore della Sirena-Assurattasche from tomb 17 of the Banditaccia necropolis near Cerveteri.
Index
Ireneu Visa Guerrero
The retablo of Saint Eulalia by the 'Master of Privileges' and 'Italianate' painting in Majorca in the early 14th century
read abstract » pp. 3-51
read abstract » pp. 3-51
Luca Quattrocchi
Guttuso between Sartre and De Sica: Drawings for the Film Adaptation of The Condamned of Altona
read abstract » pp. 52-70
read abstract » pp. 52-70
Jacopo Tabolli
A Fragment for the Repertoire of Figurative Decorations on Incised Impasto: a Ship from Montalcino
read abstract » pp. 71-73
read abstract » pp. 71-73
Gabriella Cirucci
The So-called 'Stele del Palestrita' in the Vatican Museums. Fragments of an Historical Itinerary
read abstract » pp. 74-83
read abstract » pp. 74-83
Roberto Bartalini
“A place seen in a dream”. The restoration, a recent book and some annotations on the reliquary of San Galgano, known as the Frosini reliquary
read abstract » pp. 84-97
read abstract » pp. 84-97
Gigliola Gorio
An ante quem for the death of Jacopino da Tradate and an insight into his workshop
read abstract » pp. 98-106
read abstract » pp. 98-106
Francesco Caglioti
A Donatellian 'Madonna' deserving restoration in Terranuova Bracciolini
read abstract » pp. 107-113
read abstract » pp. 107-113
Rosanna De Gennaro
On the Terracotta of Bonarcado and its Author: Alonso Berruguete?
read abstract » pp. 134-143
read abstract » pp. 134-143
Domiziana Pelati
“Per quella ammistà ch'ebbero fra di lor sempre le penne e i pennelli”. About the paintings of Camillo Gavassetti inspired by subjects from Torquato Tasso
read abstract » pp. 154-166
read abstract » pp. 154-166
Felice Mastrangelo
Agostino Cornacchini: an unpublished autobiography and various clarifications on his early activity in Rome
read abstract » pp. 167-180
read abstract » pp. 167-180