On medieval building sites, marks left on stone by the tools during construction are very useful indicators in understanding the organization and level of specialization of stonemasons. In the province of Siena in particular, between the late 12th and the early 13th century, we witness the diffusion of ‘new’ tools with toothed blades (toothed chisel-end hammer, toothed chisel, ciseau grain d’orge), used by specialized craftsmen of Pisan-Lucchese formation working in the main settlements of the upper Val d’Elsa, in the abbey of San Galgano in the Val di Merse and in Siena cathedral. After the mid-13th century these implements circulated widely, until they became standard tools of the trade used by Sienese craftsmen.
Index
Laura Ambrosini
On the relations between Faliscan ceramics and the Clusium Group through the study of ornitomorphic askoi
read abstract » pp. 3-23
read abstract » pp. 3-23
Alessandro Bagnoli
The 'Resurrection of Christ' by Francesco Botticini for the Corpus Domini confraternity in Poggibonsi
read abstract » pp. 24-38
read abstract » pp. 24-38
Marie-Ange Causarano
Diffusion and use of tooth-edged tools in the Sienese area between the 12th and 13th centuries
read abstract » pp. 39-50
read abstract » pp. 39-50
Raffaele Marrone
Two dossals for a church. An insight into the artistic commissions of the Humiliati in Pistoia and the figurative decoration of the domus of Santa Maria Maddalena
read abstract » pp. 51-59
read abstract » pp. 51-59
Roberto Bartalini
The activity of Michele di Nello in Siena cathedral and the 'Crucifix' of San Pier di Sotto in San Casciano in Val di Pesa
read abstract » pp. 60-71
read abstract » pp. 60-71
Alessandro Angelini
Francesco Maria II della Rovere and the destiny of the 'Flagellation' and the 'Ideal City' in Urbino
read abstract » pp. 72-81
read abstract » pp. 72-81
Giulia Brusori
The 'Holy Family with the Young Saint John the Baptist' of Marseille: a new proposal for Giovanni Francesco Bezzi, known as Nosadella
read abstract » pp. 82-85
read abstract » pp. 82-85
Felice Mastrangelo
An unpublished 'Saint Paul' by Giovanni Francesco Bezzi, know as Nosaldella
read abstract » pp. 86-89
read abstract » pp. 86-89
Gloria Antoni
A worthy debut. The works of Jacopo Zucchi in Palazzo Vecchio before the Salone dei Cinquecento (1557-1563)
read abstract » pp. 90-102
read abstract » pp. 90-102
Stefania Stefani Perrone
New insights into Tanzio da Varallo and his brothers
read abstract » pp. 109-117
read abstract » pp. 109-117
Giuseppe Porzio
From Massimo Stanzione to Guido Reni. History and memory between Naples and Massa Lubrense
read abstract » pp. 128-135
read abstract » pp. 128-135
Andrea Daninos
The 'Nativity' and the 'Deposition' by Gaetano Zumbo, from Genoa to Paris. With a note on Sebastiano del Piombo
read abstract » pp. 136-149
read abstract » pp. 136-149
Miriam Giovanna Leonardi
Enrico Costa in Bogotá. On the trail of an art history desaparecido
read abstract » pp. 150-165
read abstract » pp. 150-165