A signed and dated painting by Francesco Curradi

Tommaso Tovaglieri
The paper presents an altarpiece by Francesco Curradi (1570-1661), a ‘Madonna and Child appearing to Saint Francis’, which has been made known on the occasion of its donation by a private Milanese collection to the Museo dei Cappuccini in Milan. The work, signed and dated 1614, not only constitutes an unequivocal point of reference in the long career of the Florentine painter, but also provides a clearer understanding of his stylistic development during the earlier part of his life.
published in
PROSPETTIVA - 179-180 (July-October 2020)

Italiano
pp. 103-108
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Index

Laura Ambrosini On the relations between Faliscan ceramics and the Clusium Group through the study of ornitomorphic askoi
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Alessandro Bagnoli The 'Resurrection of Christ' by Francesco Botticini for the Corpus Domini confraternity in Poggibonsi
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Marie-Ange Causarano Diffusion and use of tooth-edged tools in the Sienese area between the 12th and 13th centuries
read abstract » pp. 39-50
Raffaele Marrone Two dossals for a church. An insight into the artistic commissions of the Humiliati in Pistoia and the figurative decoration of the domus of Santa Maria Maddalena
read abstract » pp. 51-59
Roberto Bartalini The activity of Michele di Nello in Siena cathedral and the 'Crucifix' of San Pier di Sotto in San Casciano in Val di Pesa
read abstract » pp. 60-71
Alessandro Angelini Francesco Maria II della Rovere and the destiny of the 'Flagellation' and the 'Ideal City' in Urbino
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Giulia Brusori The 'Holy Family with the Young Saint John the Baptist' of Marseille: a new proposal for Giovanni Francesco Bezzi, known as Nosadella
read abstract » pp. 82-85
Felice Mastrangelo An unpublished 'Saint Paul' by Giovanni Francesco Bezzi, know as Nosaldella
read abstract » pp. 86-89
Gloria Antoni A worthy debut. The works of Jacopo Zucchi in Palazzo Vecchio before the Salone dei Cinquecento (1557-1563)
read abstract » pp. 90-102
Tommaso Tovaglieri A signed and dated painting by Francesco Curradi
read abstract » pp. 103-108
Stefania Stefani Perrone New insights into Tanzio da Varallo and his brothers
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Alessandro Brogi New light on a lost painting by Ludovico Carracci
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Giuseppe Porzio From Massimo Stanzione to Guido Reni. History and memory between Naples and Massa Lubrense
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Andrea Daninos The 'Nativity' and the 'Deposition' by Gaetano Zumbo, from Genoa to Paris. With a note on Sebastiano del Piombo
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Miriam Giovanna Leonardi Enrico Costa in Bogotá. On the trail of an art history desaparecido
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